And it’s pretty obvious, when you think about it. If everyone could just create what they envisioned off-the-cuff, with no blood, sweat or tears, we’d all be prolific (if not necessarily good) artists.
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste.
But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you.
A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have.
We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met.
It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
Found via the Anonymous Production Assistant, whose blog is worth checking out.
Source: anonymousproductionassistant.com
I think this is a lovely idea for a book: Cuba TV, by Simone Lueck.
It happened by chance. In 2000, I tagged along with a good friend on a two-week trip to Cuba. I took my 35mm camera and a bunch of film. The first thing I noticed in Havana was that the city was dark at night. There were no streetlights, porch lights or living-room lamps. It was pitch black except for the faint colorful glow spilling out of open doors everywhere, and it came from the TVs. The light captivated me. For the next two weeks I wandered around, slipping in and out of strangers’ living rooms. Each time I came across an open door and a working TV set, I would ask if I could take a picture of it. The answer was always yes. Nobody seemed to think it was an odd request and it was usually accompanied by a Cuban coffee or rum.
Some interesting and beautiful portraiture on his site, definitely worth a look.
Source: simonelueck.com
A friend sent me this brilliant ad for film channel Canal+, by agency BETC Paris, copywriter Jean-christophe Royer and director Matthijs Van Heijningen… enjoy!
Source: adsoftheworld.com
What if you watch a film and whenever you pause it, you face a painting? This idea inspired Reza Dolatabadi to make Khoda. Over 6000 paintings were painstakingly produced during two years to create a five minutes film that would meet high personal standards.
Source: rezaart.com
Portait Photographer Dan Winters, Interviewed by Rob Haggart
Former photography director Rob Haggart, AKA APhotoEditor, has a brilliant three-part interview with one of my favourite portrait photographers, Dan Winters. Photography is as a varied as the characters that work within it, and Dan is one of a kind.
Read the interview in parts 1, 2 and 3.

